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Review: Alamo Drafthouse Theater, San Francisco

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Ubiquitous non-spoilery SW7 image above, specifically for the TRDL/R3 brand-awareness of it.

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The Alamo Drafthouse SF opened this past weekend, with SW7 being the official hard launch debut film. They actually opened for a soft launch the weekend prior, but I wasn’t able to attend. The Drafthouse series of theaters is like Sundance on crack. You have a bar, you have full food and drink service with a pretty awesome menu, tables at the seats, and less publicized but equally entertaining: curated pre-show content and integrated viewing experience. The short review is: loved it.

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I had heard from friends that went on opening night that its best to arrive early, in order to make the dining orders and possibly have them arrive prior to show start. Our tickets were for the fifth day of the theater’s grand opening. So, they had had some time to start smoothing out some of the kinks. When you think about it, training staff in one week (they started hiring the week before last) to basically spend their entire shift bent over (not metaphorically, even) is a tough nut. The whole operation depends on them being subtle and unobtrusive, lest they be distracting during the film. Anyway, we arrived at 2:30pm for a 3:30pm show, and had time to kill.

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We grabbed seats at the in-house bar, Vs., which were BTW super comfy leather… we were waiting for my lovely wife to arrive separately via Lyft and the crew were cleaning the auditorium from the previous showing. The access controls are basically like the train… you waltz right in, go to the theater, find your seats, and then your server comes to you to introduce themselves and go over the process of ordering and such, and then casually checks your tickets ‘to make sure you are in the right seats’… so, I really like the smoothness of this operation. Though, admittedly, it depends on people arriving early enough to get all that sorted prior to film start.

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At the Vs. I ordered a Boulevardian, which was not surprisingly bourbon, campari, orange and lemon bitters, and zest. DELICIOUS.

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At 3pm, we decided to head over to the main auditorium (across the hall) and get seated. Each pair of seats share a little table between/in front of them. Menus are in slots below, and the order slips are in a stack with pens. You write your order out, and then put the sheet upright in the thing. My lovely wife arrived at about 3:30pm so we weren’t able to get our order in and on the table prior to start, but my sister-in-law and her husband had ordered right at 3pm and their stuff began arriving right around 3:30pm. If you extrapolate this to a restaurant environment, you’re looking at a few hundred unique orders all needing to arrive around the same time, as well as follow up orders throughout the film. Frankly, I thought there would be more delay than there was. Having ordered shortly before start, I think everything came by about 20 min into the film. Note, they bring things one or two at a time, so they can logistically stay bent over and not spill stuff. Our sever said she isn’t ‘seeing the effects’ of the position in the mirror yet, but sure as hell is feeling it, abs and glutes. Our server was also extremely ebullient and charming, which added to the experience.

We ordered a shaved brussells sprouts salad (big bowl), a fungi personal pizza, an order of the famous chips and ‘queso’ which is essentially a green chili white cheese dip (and amazing indeed); she had two whites, and I had a second Boulevardian and a 750ml red rye ale.

The food is half the battle here. It’s not your typical ‘special cinema’ menu (Sundance’s offerings are already great, but here, the eccentricity of the menu is a point of pride. I basically wanted one of everything. Being middle of the afternoon, we kept it reasonably light.

Note: you can customize off the secret menu…
http://www.slackerwood.com/node/4385

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Another fun thing is the pre-show content, curated to match the film you are going to see. This time, it was a melange of awkward musical numbers from 70s and 80s SW TV specials and Disneyland shows, youtube videos of the dancing Stromtroopers etc, Cat Star Wars and so on. Very cool. Even old Kenner TV commercials.

I hadn’t had a lot of sleep, much water, or really much to eat, so about 25% in to my beer, I was starting to feel the burn, so I laid off the beer and just rode out the last act of the film, which I admit I resorted to one-eye viewing (hahahahha) but not too badly, fully present, just a little more of a heat on than intended or expected off of 2.5 drinks in 3 hours. Just a metabolic misfire.

Anyway, I gave my server my card at the start to streamline closing out the bill, which was great, since I didn’t have to fish around for it during the intense last 20 minutes of a film, right. It’s by no means cheap, but I thought very well worth it and very entertaining as a filmgoing experience.

Definitely doing so again! I think I will stick with the AMC 1000 Van Ness IMAX awesomeness for the big MMM days, but for date nights or more eccentric films like Coen Brothers or Wes Anderson or the like.


_________________
Chief of Ninja Group
SUPEESU. MADDONISSU.

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Gyrating Jawas and Other Things 26 Jan 2016

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ITEM: So, I’ve watched parts of this hot mess like three times in the last few days, mostly in the process of trying to rickroll friends into watching it. Which doesn’t mean you shouldn’t watch it. You totally should. Otherwise, you’d miss Boba Fett doing a jaunty dance, Padme and her dear daddy Vader doing sexytime dances, and a writhing Slave Leia doing moves I]m surprised Disney authorized. This apparently came from one of the Disney parks. It’s so surreal seeing dancers doing a medley of pop dances in familiar SW costumes… it feels so weird and wrong. I’ve seen those old ones with Vader and Stormtroopers poplocking or whatever, but this one went way beyond. So weird.
https://www.facebook.com/hobbygarage/vi … 386608375/

The best part of the whole thing? The autotranslation of the blurb that accompanied the post:

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GOOD SUPER FIRE!

:::

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ITEM: I have to say, and say, and say: why can’t we just have 95 minutes (not too many) of raging Batman raging hard against Superman. That’s all I want out of this movie. I LOVE how he PUNCtuates his STATEments with EMPHasis. Bad ass! Go Batfleck!
http://geektyrant.com/news/batman-and-s … -superman1

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Speaking of, I just saw on thefacebooks that someone screencapped a clip from the Batman Maybe Dream Sequence with Maybe Parademons that appears to show Darkseid’s omega symbol in the earthworks in the background. Assuming this wasn’t photochopped. I don’t remember this scene…

Update: better image:
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Also, new trailer is out with very little new content, favorably frankly, but what I thought was most amusing was that the first three times I tried to see it, it had been removed thanks to a copyright claim by Turkish Airlines. I wonder if this is an example of those copyright bots going nuts, even when it was legitimate use.
http://www.gamespot.com/articles/watch- … 0-6434167/

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Oh, and by the way, supposedly WW is 5000 years old, and in ‘retirement’ due to being overwhelmed by man’s brutaility… which is an odd story point. It puts quite a different spin on the events of the WW solo film (that can’t be her first foray into the world during WWI then… this makes no sense)… but hey, Snyder, whatever.
http://geektyrant.com/news/wonder-woman … v-superman

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ITEM: Another movie I had no interest in, and MAYYYYBE has elevated to Blu-Ray viewing status if nothing else: WoW. I love Duncan Jones, but I have soooo much fantasy movie fatigue. I didn’t even try and watch the Hobbits. But I DO like that we have a human/orc buddy cop situation happening here. Who will be the love interest they playfully compete over in between extended CGI violence encounters? Another species? I vote Drow. Do they have Drow in WoW?
http://geektyrant.com/news/first-exciti … r-warcraft

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ITEM: Today’s Rognarok rumor: the film will include Planet Hulk.. which I’m absolutely in favor of (not that I read those books or anything)…
http://www.geek.com/news/exclusive-hulk … d-1645446/

Also, it’s all but confirmed that Hela will be the big bad in Ragnarok, which works for me.
http://geektyrant.com/news/thor-ragnaro … ing-around

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ITEM: Screen Rant put together a video about scenes cut from the Force Awakens. The narrative is weirdly apologetic, but I found a few interesting. I actually have that Snowspeeder in a box as a future gift for my kids.
https://www.youtube.com/watch?v=9PlI-rMZpIc

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ITEM: What is even HAPPENING with Harrison Ford now? Yachts to buy?
http://www.esquire.com/entertainment/mo … ison-ford/

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ITEM: Avatar blinked. Kind of funny, given all of Cameron’s bluster, cracks me up imagining him finding out that Disney bumped Star Wars VIII to Xmas 2017.
http://www.thewrap.com/james-camerons-a … exclusive/


_________________
Chief of Ninja Group
SUPEESU. MADDONISSU.

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Review: Master of None

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Master of None

Master of None is a series released to Netflix this year and already greenlit for a second season, starring Aziz Ansari, who created, co-wrote (with his deceased best friend, not deceased at the time of writing, though had he been this would be a more interesting fact) and his brother. It’s loosely based on a lot of the material in his stand-up shows. It’s remarkable.

It’s remarkable in it’s general lack of remarkableness. It’s mundane at times, ultra-realistic at others (painfully so) and pretty much a slow burn. But that’s what i really appreciated about it. It had the potential of being broad comedy, and managed to be many other things instead: it was a show about a single guy in his late twenties to early thirties faced with life type issues, such as dating, career, self-image, familial baggage, and so on. It was one of those roles written the way non-white or non-male actors describe their Platonic ideal: it’s all character, and not beholden to the main character’s ethnicity or gender. And yet it’s very much about both ethnicity and gender, skewering the racism against indian actors in Hollywood, mixed relationships, guy vs. girl behavior and expectations, sexism, and much more. Yet, while it is a brilliant spotlight on double-standards in Hollywood, and while Dev does indeed stand in for Aziz, from his Nickelodeon internship to ethnic stereotyping to relationship issues to his character’s burgeoning love of cooking (Aziz is the bartender to his girlfriend’s culinary expertise as a known gourmet chef) it is still written about a human, not a stereotyped ethnic or gender-specific person. Meaning that it could have been cast as a Japanese woman, and all they would need to do* is change the contextual stereotyping and gender-specific anecdotes. It would still work. I asterix that because it is both an everyguy relatable character, and so very specifically Aziz Ansari. Kind of a riddle, I guess.

The supporting cast is excellent. I’ve always really liked Noelle Wells, from her one season foray (and unfair firing) from SNL, and her web presence, and it was great casting having her as the recurring love interest. Specifically, she’s a very down to earth, normal looking yet very cute and interesting presence. She’s no ‘manic pixie’ whatever but she’s no supermodel. She feels real in the role. The writing is very good at easing us into knowing these people through characterization. A highlight was an episode focusing on a surprise whirlwind date weekend trip to another state, which felt like a documentary. The strong standout for me was Aziz’ father (and mother) playing Dev’s parents. He is so naturally infectious and quirky, I wanted him to be in every episode.

The finale was bittersweet and realistic, and involves a clever misdirection that both disappointed in some way as far as the emotional narrative and grew his character arc in another way that was actually the kind of smoldering awesome that sticks with you for days after seeing it. I’m STILL thinking about the last scene.

Highly recommended.

TACOS!


_________________
Chief of Ninja Group
SUPEESU. MADDONISSU.

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Review: The Man from U.N.C.L.E.

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Kraken Reviews aren’t always thorough, and they’re rarely objective. No rating scale, nothing like that. Rotten Tomatoes already has that covered. We just like to talk about movies and the like.

The Man from U.N.C.L.E.

The Summary:
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.

Starring: Henry Cavill, Armie Hammer, Alicia Vikander, Jared Harris with Hugh Grant thrown in for fun

I was initially jazzed about this film during production. It had all the good signs going in: period setting (60s), great casting, cool director, off mix of humor and action (just like Guy Ritchie did with Sherlock Holmes) and finally, it was an espionage story.. so despite never watching the TV series, I was on board. Then it was released shortly before SPECTRE and during the early blitz for Force Awakens and seemed to just fade into nothing in the media eye. I remember it hitting the theater but then rapidly disappearing. That was disconcerting. Like John Carter OF FUCKING MARS and similar projects, I was concerned modern audiences would dismiss this film as being a knock off of other films in the public consciousness. Where John Carter OF FUCKING MARS was an excellent adaptation of the story that predated and directly birthed all of modern fantasy, UNCLE was not necessarily an originator (it was a side project from Ian Fleming pulled from ideas from one of his Bond books) but WAS and is an interesting story device, pulling agents from both sides of the Cold War together. Anyway, I fired it up the other night and crossed all me fingers and all me toes, except those holding my martini glass (containing the homebrew gin, courtesy of One Lung) and dug in.

I was initially turned off. The smarmy, affected debonair Henry Cavill was doing as CIA Agent Napoleon Solo was grating, and the rivalry and cocksure one-upmanship between him and his soviet rival, Illya Kuryakin (played by Armie Hammer) felt tired and cliched. I was frustrated. Only the wiles of Ex Machina’s Alicia Vikander kept me watching. And then somewhere in the second act, I realized I was enjoying it, and in the third act, having a good time and wanting more. What I think did it was dispensing with that initial alpha posturing and almost farcical rivalry, and getting into the meat of the plot, and most specifically, doing it in 60’s Italy, which really kicked up the period fashion and imagery a notch. I personally tire of super so-and-so’s who act unmoved and unsurprised, unflinching, as bullets fly and cars careen and whatever, like it’s all part of a Matrix sim they mastered a long time ago (something that I LOVED in the later parts of All You Need is Tole, when Cruise was plowing through his day like replaying a level with perfect precision in some FPS)… and initially, Solo was very much like this. I get it I get it, it was drawn purposefully broad. But it bugged me. But when things toned down on that front and the guys started working together, I got into it. It only made about $130M internationally on a $75M budget so it’s unlikely to get a sequel, which is disappointing. I’d love to see another one in this series. I’m perpetually starved for period adventure films.

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Also, let me repeat, Alicia Vikander.

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One last thing: a cool scene at the beginning featured the two spies sitting down at the same table and realizing the handlers hat put them together, and as they start to freak out, the handlers get up and leave them to discuss the joint mission, and as they do, the entire cafe cleans out (ie. the whole place was undercover agents) was fun, and a cool nod to Ritchie’s previous film, Game of Shadows, in which Jared Harris was the same role: the guy that signals for the room to clear. I recognized it but didn’t register where from until I looked it up.

By Salty Thom
_________________
Chief of Ninja Group
SUPEESU. MADDONISSU.

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Welcome All Ye Souls

This is the soft launch of the companion site to the Robot-Kraken Podcast. You will soon find news, reviews, and handy podcast download/streaming links… all because science. For now, admire the pretty colors.